DefinitionsPali Words Ākāsa; Anatta-Lakkhana Sutta/ Form is not Self; Apramanas; Ariyan; Arūpabhava; Āsīt; Attan/Atta; Bahuvrihi Bhikkhu; Brahmavihāra; Buddhavacana; Diṭṭhi; Dukkha; Ná Nasad; Nó; Panc’upādāna-kkhandhā; Púruṣa; Pudgala; Puggala Púrusa; Rūpa; Sad; Sakya; Sankhāra; Saññā; Sati/Satimā; Sāvatthī Sloka; Tadānīm; Tamatagge; Upaṭṭhāsi; Vedanā; Viññāṇa; Vippayutta • ākāsa, fr. √kas (to be visible, appear; to shine, be brilliant, have an agreeable appearance; to shine brightly, to see clearly): the subtle and etheric fluid supposed to fill and pervade the universe and to be the peculiar vehicle of life and sound; Brahma as identical with ether; (...); the sacred ether or Brahma in the interior part or soul of man. ~ (Monier-Williams’ Sanskrit-English Dictionary).• ākāsa: ether as the subtlest element. ~ (MacDonnell’s Sanskrit-English Dictionary). • akasha (n.): ether; one of the five elements (the others being air, fire, water, and earth) which, according to the Sānkhya system of Indian philosophy, make up the visible world; the subtile fluid which fills and pervades infinity and is supposed to be the peculiar vehicle of life and sound; unlike air (vāyu), which is always moving and penetrates only where it can find an entrance, akasha is perfectly immovable and exists everywhere. [Sanskrit ākāçá, ‘clear space’, ‘ether’]. ~ (Century Dictionary and Cyclopaedia). • akasha (Sanskrit ākāśa): a term for either space or æther in traditional Indian cosmology, depending on the religion. The term has also been adopted in Western occultism and spiritualism in the late nineteenth century. In many modern Indo-Aryan languages and Dravidian languages the corresponding word (often rendered Akash) retains a generic meaning of “sky”. It appears as a masculine noun in Vedic Sanskrit with a generic meaning of “open space”, “vacuity”. In Classical Sanskrit, the noun acquires the neuter gender and may express the concept of “sky; atmosphere”. In Vedantic philosophy, the word acquires its technical meaning of “an ethereal fluid imagined as pervading the cosmos”. Thus, first appeared the space, from which appeared air, from that fire or energy, from which the water, and therefrom the earth. The direct translation of Akasha is the word meaning “upper sky” or “space” in Hinduism. The Nyaya and Vaisheshika schools of Hindu philosophy state that Akasha or aether is the One, Eternal, and All Pervading physical substance, which is imperceptible. In Buddhist phenomenology Akasha is divided into limited space (ākāsa-dhātu) and endless space (ajatākasā). Ākāsa is identified as the first arūpa jhāna, but usually translates as “infinite space”. The Western mystic-religious philosophy called Theosophy has popularised the word Akasha as an adjective, through the use of the term “Akashic records” or “Akashic library”, referring to an etheric compendium of all knowledge and history. ~ (2023 Wikipedia Encyclopaedia). • Akashic Record (paranormal): an alleged record of all events, actions and thoughts which have ever occurred or ever will, which is linked to akasha, the so-called astral light. Akasha allegedly contains occult records which spiritual beings can perceive by their special astral senses and astral bodies; these spiritual beings walk among us and are endowed with clairvoyance, spiritual insight, prophecy and other untestable metaphysical assertions, tapping into the akasha to help and guide mortals. ~ (Segen’s Medical Dictionary). Ākāsa: (i.e., ‘aether’, the etheric realm, a.k.a. the firmament, the empyrean; i.e., ‘the empyreal realm of pure light’) Anatta-Lakkhana Sutta (SN 22.59; PTS: SN iii.66):
And, just so there be no misapprehension, an alternative translation renders the latter section this manner:
• [Mr. Gotama the Sakyan]: ‘Form is not self. If form were the self, this form would not lend itself to dis-ease (...) But precisely because form is not self, form lends itself to dis-ease (...) Feeling is not self (...) Perception is not self (...) Mental fabrications are not self (...) Consciousness is not self. If consciousness were the self, this consciousness would not lend itself to dis-ease (...) any body whatsoever that is past, future, or present; internal or external; blatant or subtle; common or sublime; far or near: every body is to be seen as it actually is with right discernment as: ‘This is not mine. This is not my self. This is not what I am’. Any feeling whatsoever (...) Any perception whatsoever (...) Any fabrications whatsoever (...) Any consciousness whatsoever (...) is to be seen as it actually is with right discernment as: ‘This is not mine. This is not my self. This is not what I am’. (...) Seeing thus, the instructed noble disciple grows disenchanted with the body, disenchanted with feeling, disenchanted with perception, disenchanted with fabrications, disenchanted with consciousness. Disenchanted, he becomes dispassionate. Through dispassion, he is fully released. With full release, there is the knowledge, ‘Fully released’. He discerns that ‘Birth is depleted, the holy life fulfilled, the task done. There is nothing further for this world’. (SN 22.59; PTS: SN iii.66; Anatta-Lakkhana Sutta). Apramana (Skt.) = Pali: Appamāṇa/Appamāna, (adj.): ‘without measure, immeasurable, endless, boundless, unlimited, unrestricted, all-permeating, incomparable’ arūpabhava=arūpadhātu (PTS-PED: ‘the element or sphere of the incorporeal’); namely: viññāņānancāyatana (the realm of limitless, radiant, unestablished consciousness/unmanifest mind); ākiñcaññāyatana (the boundless state of consciousness without object/self with no other); nevasaññānāsannāyatana (the dimension of neither agnition nor non-agnition/ ‘neither being nor not-being’); saññāvedayitanirodha samāpatti/vimokkha (the cessation of/deliverance from agnition and hedonic-tone) which is an ineffable cataleptic/comatose state; see #7703 and #7712 and #7731 for some detailed reports/descriptions/explanations. Obviously, the sammāsambuddha is referring to practitioners colloquially known as the ‘stream enterer’ such as to earn that illustrious title (i.e., the Pāli “ariyan” = French ‘noblesse’; English ‘aristocrat’; Latin ‘patrician’) and the single-most distinguishing characteristic determining entrée into the buddhistic nobility is the faculty of clairvoyance [“dibba-cakkhuka”], known variously as the ‘supernal eye’, ‘deva-eye’, ‘dhamma-vision’, ‘divine eye’, ‘Eye Celestial’, the pure and spotless ‘Eye of the Truth’, and so on [“dibba-cakkhu”]. Āsīt: āsīt (Skt.) = the Pāli word āsi [aor. 3rd pers. sg., ‘to be, to exist’]
as in, for instance, ‘he was’ or ‘she was’ or ‘it was’ (whereas, for example, the Skt. word āsaṃ = the Pāli word āsiṃ [aor.
1st pers. sg., ‘to be, to exist’] as in, ‘I was’). • attan (m.) & atta: 1. the soul (...). 2. oneself, himself, yourself; *nom. attā, very rare*. (...). anattā (n. and predicative adj.): not a soul, without a soul (...); attavāda: theory of (a persistent) soul (...). [emphasis added]. ~ (Pāli Text Society Pāli-English Dictionary). • attan (m.) & atta (the latter is the form used in comp‹n.›) [Vedic ātman]: 1. The soul as postulated in the animistic theories held in N India in the 6‹th› and 7‹th› cent. B. C. (...). A “soul” according to general belief was some thing permanent, unchangeable, not affected by sorrow (...). 2. Oneself, himself, yourself. Nom. attā, very rare. (...). anattā (n. and predicative adj.) not a soul, without a soul. Most freq. in comb‹n› with dukkha & anicca (...). attavāda: theory of (a persistent) soul (...). ~ (Pāli Text Society Pāli-English Dictionary). bahuvrihi (n.): a class of compound words consisting of two elements the first of which is a specific feature of the second. ~ (Collins English Dictionary). The Pāli “brahmavihāra” refers collectively to the radiative quartet of all-permeating boundless affections known as ‘mettā’ (i.e., ‘Love Agapé’), ‘karuṇā’ (i.e., ‘Sublime Compassion’), ‘muditā’ (i.e., ‘Empathetic Rejoicement’), and ‘upekkhā’ (i.e., ‘Imperturbable Grace’). buddhavacana: the word (teaching) of the Buddha. ~ (Pāli Text Society Pāli-English Dictionary). diṭṭhi: view, belief, dogma, theory, speculation, esp. false theory, groundless or unfounded opinion. ~ (Pāli Text Society Pāli-English Dictionary). A brief note of clarification on this dukkha-sukha terminology: the Pāli word “dukkha” is a compound word [“du + kha”] where, etymologically, the ‘du’ prefix (an antithetic affix, generally opposed to the ‘su’ prefix, such as in “sukha”) has connotations of “asunder, apart, away from”, and the ‘-kha’ syllable/ ending, which functions also as root [“√kha”], has the meaning “ākāsa” which, effectively, refers to the same as what the Greek word ‘aether’ refers to—for the Ancient Greeks the aether was “above the sky” (i.e., the archaic ‘firmament’ or ‘empyrean’; the realm of pure fire or light)—as is also evidenced by common-use English phrases such as “the akashic realm” and “the aetheric realm” (as in ‘ethereal’, for instance, and ‘empyreal’) being interchangeable. Moreover, as the Pāli ākāsa is often translated as “space”, dependent upon context, this bivalent word also serves as a reference to the *non-sectarian* luminiferous ethereal/ empyreal realm [“ākāsānañcāyatana”]—which is the mystical interface betwixt the physical (the phenomenal world) and the metaphysical (the noumenal world)—accessed via the 8th-stage ‘sammā-samadhi’ of the octonary patrician way: those introversive and/or mystical self-absorption states [“rūpa-jhāna” and “arūpa-samāpatti”] as gradually ascending abodes [“anupubbavihārā”]. And, even more to that latter point, above the luminiferous ethereal/ empyreal realm of ākāsa is the next mystical trance-state, the radiant realm of the unmanifest mind [“viññāṇāñcāyatana”], which is quite obviously from whence ‘viññāṇa’ descends/ enters into the womb, establishes itself/ founds itself, in utero, via four nutriments...&c., in that contingent geniture (i.e., “paṭicca-samuppāda”) sequence already mentioned much further above. Ná: ná (ind.): not, no, nor, neither (=nā); as well in simple negation as in wishing,
requesting and commanding, except in prohibition before an impv. or an augmentless aor. [...]. The Sanskrit word ‘nāsad’ is a compound word (na + asad)
and the word ‘asad’, itself, is a compound word (a + sad), where the prefix ‘a-’ negates the word ‘sad’. Nó: nó (ind.), (fr. 2. ná, + u,): and not (in later language also = na, ‘not’, for which it
is generally used to suit the verse; nō cēd, under cēd; nō vā, ‘or not’). • pudgala (m.): the body; the soul, personal entity; man; the Ego or individual (in a disparaging sense); pudgalī (f.): a woman, female. ~ (Monier Monier-Williams Sanskrit-English Dictionary). • puggala: 1. an individual, as opposed to a group (saṅgha or parisā), person, man {NB.: itthi = woman, female}; in later philosophical (Abhidhamma) literature = character, soul (=attan); pl. puggalā, people; para-puggala, another man; purisa-puggala, individual man, being, person; 2. (in general): being, creature (including Petas & animals); puggalika (adj.): belonging to a single person, individual, separate. ~ (Pāli Text Society Pāli-English Dictionary). The Panc’upādāna-kkhandhā Personage: Just for the record, those panc’upādāna-kkhandhā (those five fuelled components⁽⁰¹⁾ which constitute an unawakened/ unenlightened personage) are as follows: 1. rūpupādānakkhandha; 2. vedanupādānakkhandha; 3. saññupādānakkhandha; 4. saṅkhārupādānakkhandha; 5. viññāṇupādānakkhandha. (from the Saṅgīti Sutta (DN 33; PTS: D. iii. 207) with emphases added because “upādāna”, which means ‘fuelled’, distinguishes their stark difference to the panc’anupādāna-kkhandhā, of the awakened/ enlightened being, where “anupādāna” means “without fuel” (PTS-PED). Here is what those five words refer to: 1. rūpa—or, rather, rūpūpadāna-kkhandha when spelled-out in full—as in, any carnate/ bodily phenomena whatsoever (i.e., the ‘soma’ of the common English word psychosomatic for instance); 2. vedanā, the (affective) hedonic-tone facility; an instinctual and thus affective hedonic attraction/ aversion discrimination⁽⁰²⁾ underpins each and every feeling-thought-action which all feeling-beings manifest whenever ‘being’ itself is present-to-itself as an affective/ psychic ‘presence’ within; 3. saññā,
in buddhistic terms, the agnitive facility (agnise = “to acknowledge; own; recognise”
and agnition = “acknowledgement”, according to the Century
Dictionary), as in the (instinctually thus automatic) acknowledgement-recognition, per favour hedonic-tone,
of ‘being’ itself—‘me’ at the core of ‘my’ being is ‘being’ itself—being present-to-itself, in
its current-time intuitive field, and thus viscerally (i.e., instinctually; non-cognitively) felt as an affective/
psychic ‘presence’ within. 4. sankhāra: in buddhistic terms, the conative facility (conation = “the element in psychological processes that tends towards activity or change and appears as desire, volition, and striving”, according to the Collins English Dictionary, or conation = “the aspect of mental processes or behaviour directed toward action or change and including impulse, desire, volition, and striving”, as per the American Heritage Dictionary) primarily stems from, and manifests as, a particular form of determinism called kamma (i.e., the fruit of all ones past-lives’, and the present-life’s, feelings-thoughts-actions). Viz.: • determinism (n.): the philosophical doctrine that every state of affairs, including every human event, act, and decision is the inevitable consequence of antecedent states of affairs; (n.): determinist; (adj.): deterministic; (adv.): deterministically. ~ (American Heritage Dictionary).5. viññāṇa, the sixfold worldly (‘intoxicated with life’) percipience process (namely: 1. the component of cakkhuviññāṇa, or visual-percipience; 2. the component of sotaviññāṇa, or audile-percipience; 3. the component of ghaṇaviññāṇa, or olfactorial-percipience; 4. the component of jivhāviññāṇa, or gustatorial-percipience; 5. the component of kāyaviññāṇa, or tactile-percipience; and 6. the component of manoviññāṇa, or mentational-percipience). ⁽⁰¹⁾the five fuelled components: Similar to that definition of anupādāna (i.e., “without fuel” ~ PTS-PED) is anupādā/ anupādāya. Viz.: • anupādā (for anupādāya) in meaning “not taking up any more (fuel, so as to keep the fire of rebirth alive)”, not clinging to love of the world, or the kilesas q.v., having no more tendency to becoming; in phrases anupādā parinibbānaṃ, “unsupported emancipation”; anupādā vimokkho, “mental release”; anupādā vimutto. ~ (PTS Pāli-English Dictionary).Thus the five anupādāna (i.e., unfuelled) components which constitute a spiritually enlightened/ mystically awakened being—a being in whom all āsavā, or worldly intoxications (‘intoxicated with life’), are extinguished—are known as panc’anupādāna-kkhandhā (as distinct from panc’upādāna-kkhandhā). In other words, what a metempirically awakened/ enlightened feeling-being experiences is: 1. (dissociated) bodily phenomena; 2. hedonic-tone; 3. agnition; 4. (non-kamma-generating) connation; 5. (unworldly/ other-worldly) percipience. (It is only whilst abiding in the highest of the gradually ascending abodes [“anupubbavihārā”]—known
in Pāli as saññāvedayitanirodha—that hedonic-tone⁽⁰²⁾ and agnition cease). ⁽*⁾delect (v.; rare): to delight or take pleasure in something; also, to be a source of pleasure or delight; in later use also with object (reflexive): to gratify oneself. ~ (Oxford English Dictionary). • hedonic (adj.): of, pertaining to, or involving pleasurable or painful sensations or feelings, considered as affects (viz.: ‘emotions, moods’); spec. hedonic tone, the degree of pleasantness or unpleasantness associated with an experience or state, esp. considered as a single quantity that can range from extreme pleasure to extreme pain. ~ (Oxford English Dictionary; 1999, 2nd. Ed.; CD-ROM Vers. 2.0).Put succinctly: every feeling-being’s experience or state of being—including that feeling-being’s emotions, passions, calentures, mood, sentiment, temper/ humour, and, thusly, affectively-tainted (e.g., passionally-driven and/or emotionally-fed and/or calenturally-inspirited) thoughts—has hedonic tone (a degree of affective pleasantness or unpleasantness a.k.a. affective pleasure or displeasure). For instance: As a matter of historical interest: the earliest record on the topic of hedonic tone, which predates that 1899 publication by millennia, is none other than what is known in the buddhavacana (as per the Theravādan Pali Canon) as ‘vedanā’ (approx. pron.: vay-duh-nar) or ‘vedanā-khandha’. According to Prof. James Baldwin (‘Dictionary of Philosophy and Psychology’, 1905) it was Prof. Wilhelm Wundt (1832-1920) who first coined the term hedonic-tone (translated from German, ‘Gefühlston’; approx. pron.: gar-fools-torn). ***************** Here is what those five words refer to: 1. rūpa—or, rather, rūpūpadāna-kkhandha when spelled-out in full—as in, any carnate/ bodily phenomena whatsoever (i.e., the ‘soma’ of the common English word psychosomatic for instance); 2. vedanā, the (affective) hedonic-tone facility; an instinctual and thus affective hedonic attraction/ aversion discrimination⁽⁰²⁾ underpins each and every feeling-thought-action which all feeling-beings manifest whenever ‘being’ itself is present-to-itself as an affective/ psychic ‘presence’ within; 3. saññā,
in buddhistic terms, the agnitive facility (agnise = “to acknowledge; own; recognise”
and agnition = “acknowledgement”, according to the Century
Dictionary), as in the (instinctually thus automatic) acknowledgement-recognition, per favour hedonic-tone,
of ‘being’ itself—‘me’ at the core of ‘my’ being is ‘being’ itself—being present-to-itself, in
its current-time intuitive field, and thus viscerally (i.e., instinctually; non-cognitively) felt as an affective/
psychic ‘presence’ within. 4. sankhāra: in buddhistic terms, the conative facility (conation = “the element in psychological processes that tends towards activity or change and appears as desire, volition, and striving”, according to the Collins English Dictionary, or conation = “the aspect of mental processes or behaviour directed toward action or change and including impulse, desire, volition, and striving”, as per the American Heritage Dictionary) primarily stems from, and manifests as, a particular form of determinism called kamma (i.e., the fruit of all ones past-lives’, and the present-life’s, feelings-thoughts-actions). Viz.: • determinism (n.): the philosophical doctrine that every state of affairs, including every human event, act, and decision is the inevitable consequence of antecedent states of affairs; (n.): determinist; (adj.): deterministic; (adv.): deterministically. ~ (American Heritage Dictionary).5. viññāṇa, the sixfold worldly (‘intoxicated with life’) percipience process (namely: 1. the component of cakkhuviññāṇa, or visual-percipience; 2. the component of sotaviññāṇa, or audile-percipience; 3. the component of ghaṇaviññāṇa, or olfactorial-percipience; 4. the component of jivhāviññāṇa, or gustatorial-percipience; 5. the component of kāyaviññāṇa, or tactile-percipience; and 6. the component of manoviññāṇa, or mentational-percipience). • púruṣa (m.): a man, male, human being (pl. people, mankind); a person; an officer, functionary, attendant, servant; a friend; (also with nārāyaṇa) the primeval man as the soul and original source of the universe (described in the Purusba-sūkta, q.v.); the personal and animating principle in men and other beings, the soul or spirit; the Supreme Being or Soul of the universe (sometimes with para, parama, or uttama; also identified with Brahmā, Vishṇu, Śiva and Durgā); (in Sāṃkhya) the Spirit as passive and a spectator of the Prakṛiti or creative force; the ‘spirit’ or fragrant exhalation of plants; (with sapta) name of the divine or active principles from the minute portions of which the universe was formed; (pl.): men, people (cf. above). ~ (Monier Monier-Williams Sanskrit-English Dictionary). Rūpa: rūpa—or, rather, rūpūpadāna-kkhandha when spelled-out in full—as in, any carnate/ bodily phenomena whatsoever (i.e., the ‘soma’ of the common English word psychosomatic for instance); Sad: • sad, in comp. for sat sakya: follower(s) of the Buddha. ~ (PTS-PED). sankhāra: in buddhistic terms, the conative facility (conation = “the element in psychological processes that tends towards activity or change and appears as desire, volition, and striving”, according to the Collins English Dictionary, or conation = “the aspect of mental processes or behaviour directed toward action or change and including impulse, desire, volition, and striving”, as per the American Heritage Dictionary) primarily stems from, and manifests as, a particular form of determinism called kamma (i.e., the fruit of all ones past-lives’, and the present-life’s, feelings-thoughts-actions). Viz.: • determinism (n.): the philosophical doctrine that every state of affairs, including every human event, act, and decision is the inevitable consequence of antecedent states of affairs; (n.): determinist; (adj.): deterministic; (adv.): deterministically. ~ (American Heritage Dictionary). saññā,
in buddhistic terms, the agnitive facility (agnise = “to acknowledge; own; recognise”
and agnition = “acknowledgement”, according to the Century
Dictionary), as in the (instinctually thus automatic) acknowledgement-recognition, per favour hedonic-tone,
of ‘being’ itself—‘me’ at the core of ‘my’ being is ‘being’ itself—being present-to-itself, in
its current-time intuitive field, and thus viscerally (i.e., instinctually; non-cognitively) felt as an affective/
psychic ‘presence’ within. Sati: The buddhistic ‘sati’ – a Pali word referring to mindfulness, self-collectedness, powers of reference and retention, when used alone, covers ‘sampajañña’ (alertness, self-awareness, presence of mind, clear comprehension) as well. To rememorate, in the sense which the Pāli “satimā” conveys itself linguistically, in the Pāli sentences themselves, and contextually in the buddhavacana as a whole, is to not only be memorative⁽*⁾ but is to be so with a visceral, intuitive apprehension of the contradistinction the Pāli ‘sati’ (=Vedic ‘smṛti’) has with the Pāli ‘suti’ (=Vedic ‘śruti’) in its special-usage *revelatory* sense. Viz.:
That comparison can be seen here:
And this contradistinction also rates a special mention in the Monier Monier-Williams Dictionary entry for smṛti (= Pāli sati) where, incidentally, the word ‘mindful’/ ‘mindfulness’ is, of course, quite conspicuous by its absence. Viz.:
Also, to be rememorative in the sense which the Pāli “sati” conveys itself, both contextually and linguistically in the Pāli sentences themselves, is to be comprehensive, in a similarly visceral-intuitive manner, of the relationship the revelatory Pāli ‘suti’ has with the equally-special usage of the Pāli ‘suta’ (= Vedic ‘śruta’) as well. Viz.:
Hence, instead of mindlessly continuing to translate the Pāli ‘sati’ with a 19th century-voguish, western-acculturated and everyday-usage word it is more explanatorily helpful to resurrect an antiquated term (that Shakespearean-Era “rememoration” was already ‘not in use’ in 1828, ‘obsolete’ by 1913 and ‘archaic’ come 2008 according to those “Webster’s Dictionaries”), unto which restored word that special-usage meaning of a viscerally-intuitive type of memoration—essentially, then, a rememoration⁽⁰¹⁾ of the metempirical wisdom itself, revivified feelingly with luminous vibrancy, in the memorative faculty, rather than just a memoriter (i.e., by rote) recitation of the words (a.k.a. ‘the teaching’)—can thus be readily ascribed and hypostatised.
Sāvatthī was the capital of the ancient kingdom of Kosala and the place where the Sammāsambuddha mostly lived after his spiritual enlightenment/ mystical awakenment. It was near the Rapti river in the north-eastern part of modern-day Uttar Pradesh, close to the Nepalese border, and situated at the junction of three major trading routes connecting it to the different regions of the ancient subcontinent. It is the location where he gave most of his talks, remembered memoriter (by word-perfect chanted rote remembrance) by his dedicated religieux as suttas and centuries later written down on palm-leaf booklets. According to Pali scholar Frank Woodward (1871-1952), eight-hundred and seventy-one of them are based in Sāvatthī and record how the Sammāsambuddha spent twenty-five monastic retreats there during the monsoon rainy season (which implies that he either primarily lived there, after his awakenment, or that the oral tradition was systematised there). Other major locations included Vesali, in present-day Bihar, Rajagriha, the first capital of the ancient kingdom of Magadha (the present-day district of Nalanda, Bihar), and Benares (present-day Varanasi, bearing the ancient name Kashi), with an additional seventy-seven minor locations, likely small towns or rural villages. Sāvatthī is also recorded as the home and capital of King Prasenajit, the royal patron of the Sammāsambuddha and also the home of Anathapindada, his richest early donor, who is famed in the buddhistic literature as having offered his Jetavana grove and residences. Inscribed slabs and statues found at and near Sāvatthī show it to have been a prosperous area and an active buddhistic site from the time of Gotama the Sakyan (circa two and a half thousand years ago) through to at least the twelfth-century of the modern era. It was destroyed and covered with mounds sometime in or after the thirteenth-century, chronologically marking the arrival and establishment of an Islamic empire based in Delhi (the Delhi Sultanate) which stretched over large parts of South Asia for over three-hundred years (1206-1526) until it was conquered and succeeded by the Mughal Empire, which controlled much of the subcontinent between the sixteenth and nineteenth centuries. For some two hundred years, the empire stretched from the outer fringes of the Indus river basin in the west, northern Afghanistan in the northwest, and Kashmir in the north, to the highlands of present-day Assam and Bangladesh in the east, and the uplands of the Deccan Plateau in South India. The empire’s loss of control was catalysed by their losses to the Maratha Empire in the Mughal-Maratha Wars. Reduced subsequently to the region in and around Old Delhi by 1760, the empire was formally dissolved by the British Raj, after the Indian Rebellion of 1857, through the Government of India Act 1858. In 1876 the British Queen Victoria assumed the title of Empress of India. [https://en.wikipedia.org/wiki/Shravasti]. • sloka (n.): a distich of Sanskrit verse consisting of two
sixteen-syllable lines of two eight-syllable padas each; [Sanskrit ślokaḥ, ‘sound’, ‘hymn’; sloka, ‘kleu-’, PIE roots]. • pada (n.): a unit of Sanskrit poetic meter consisting of a series of light and heavy syllables in any of various set combinations; [Skt. pādam, from pāt, pad-, ‘foot’; ped-, PIE roots]. (American Heritage Dictionary). • distich (n. pl. distichs): 1. a unit of verse consisting of two lines, especially as used in Greek and Latin elegiac poetry; 2. a rhyming couplet; [Latin distichon, fr. Greek distikhon, fr. neuter of distikhos, ‘having two rows or verses’; di-, ‘two’, + stikhos, ‘line of verse’; stich, fr. steigh, PIE roots]. (American Heritage Dictionary). (‘distich’ with footnote elegiac’ and elegy’). • elegiac (adj.): 1. of, relating to, or involving elegy or mourning or expressing sorrow for that which is irrecoverably past: an elegiac lament for youthful ideals; 2. of or composed in elegiac couplets; (n.): elegiac; (adj.): elegiacal; (adv.): elegiacally; [Late Latin elegacus, fr. Greek elegeiakos, fr. elegeia, elegy]. (American Heritage Dictionary). • elegy (n. pl. elegies): 1. a poem composed in elegiac couplets; 2. a. a poem or song composed especially as a lament for a deceased person; b. something resembling such a poem or song; 3. (music) a composition that is melancholy or pensive in tone; [French élégie, fr. Latin elegīa, fr. Greek elegeia, fr. elegos, ‘song, mournful song’]. (American Heritage Dictionary). tadānīṃ (ind.): at that time, then. (Monier-Williams Sanskrit-English Dictionary; first published in 1899 by Oxford University Press). • tamat.-agge: beyond the region of darkness (or rebirth in dark spheres), cf. bhavagge (& Sk. tamaḥ pāre); viz.: “bhavagge: the best (state of) existence, the highest point of existence (among the gods); often as highest “heaven” as opposed to Avīci, the lowest hell”. ~ (PTS-PED). • tama-t-agge: “Buddhaghosa says tamatagge is tamagge, the ‘t’ in the middle being euphonic {=‘altered for ease of pronunciation; pleasing to the ear’}, and renders it ‘the most pre-eminent, the very chief’. Prof. Rhys Davids, in his translation of this Sutta, has adopted the explanation of the commentator, and translates “the very topmost height”. Tamas here means ‘darkness’, i.e. mental darkness, one of the five avijjâs in the Sâṅkhya philosophy; tama-t-agge must therefore mean ‘at the extremity of the darkness, beyond the region of darkness’, i.e. in ‘the light’, in Nirvâna, cf. bhavagge: ‘at the end of existence, in Nirvâna’. [...]. We find in Sanskrit tamaḥ pâre, answering to tama-t-agge: “Sa hi devaḥ paraṃ jyotis tamaḥ pare”, (Kumâra Sambhava, ii. 58). “For that deity is the supreme luminary existing at the extremity of darkness (beyond the region of tamas), i.e. in the region of light”. ~ (Rev. Dr. Richard Morris; 1st reading 5th December, 1884; from page 32 ‘Transactions of the Philological Society’ for 1885-7; Publ. Trübner & Co., London).(Just for the record, the Rev. Dr. Richard Morris, M.A., LLD., 1833-1894, a prolific writer for the Early English Text Society, was one of the more meticulous translators of Pāli into English—his career-long familiarity with early English development unto modern English prompted him to take a special interest in the similarity of Pāli as standing midway between ancient Sanskrit and modern Hindi (as well as branching out into various Prakrit dialects)—which he increasingly devoted himself to during the last decade of his life). upaṭṭhāsi (aor. of ‘upaṭṭhahati’) is derived from upa + sthā; viz.: • ṣṭhā (ifc.): standing, being, existing in or on or among. ~ (MMW-SED). vedanā, the (affective) hedonic-tone facility; an instinctual and thus affective hedonic attraction/ aversion discrimination⁽⁰²⁾ underpins each and every feeling-thought-action which all feeling-beings manifest whenever ‘being’ itself is present-to-itself as an affective/ psychic ‘presence’ within; Viññāṇa: viññāṇa, the sixfold worldly (‘intoxicated with life’) percipience process (namely: 1. the component of cakkhuviññāṇa, or visual-percipience; 2. the component of sotaviññāṇa, or audile-percipience; 3. the component of ghaṇaviññāṇa, or olfactorial-percipience; 4. the component of jivhāviññāṇa, or gustatorial-percipience; 5. the component of kāyaviññāṇa, or tactile-percipience; and 6. the component of manoviññāṇa, or mentational-percipience). ⁽⁰¹⁾the five fuelled components: It is the Pāli word upādāna which refers to ‘fuel’. Viz.:
A state known as ‘vippayutta’ (dissociation) or complete object-estrangement. Viz.:
In short it is a totally away-from-the-world non-experienceable realm in that it has nothing to do with the physical whatsoever: ‘neither earth, nor water, nor fire, nor wind’ (no physical world); ‘neither this world nor the next world’ (no more rebirth); ‘neither earth, nor moon, nor sun’ (no solar system). The Third Alternative (Peace On Earth In This Life Time As This Flesh And Blood Body) Here is an actual freedom from the Human Condition, surpassing Spiritual Enlightenment and any other Altered State Of Consciousness, and challenging all philosophy, psychiatry, metaphysics (including quantum physics with its mystic cosmogony), anthropology, sociology ... and any religion along with its paranormal theology. Discarding all of the beliefs that have held humankind in thralldom for aeons, the way has now been discovered that cuts through the ‘Tried and True’ and enables anyone to be, for the first time, a fully free and autonomous individual living in utter peace and tranquillity, beholden to no-one.
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